With the rather startling news that Werner Herzog will be playing the villain in the next Tom Cruise flick, I couldn’t help but be reminded of all the other times that a great director has been enlisted to play a villain in another director’s movie, with often awesome results. There are a surprising number of them, and I’m sure I’ve missed a few, but here’s a quick rundown of some that came to mind…
"There used always to be something to say. Now that everyone is agreed, there isn't so much to say."
Showing posts with label roman polanski. Show all posts
Showing posts with label roman polanski. Show all posts
Wednesday, October 5, 2011
Sunday, July 10, 2011
What We Talk About When We Talk About Horror (Now Updated!)
[See below for Jason Zinoman's response]
Jason Zinoman had an interesting four-part series on Slate last week entitled “How to Fix Horror.” He’s the author of a new book, Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood and Invented Modern Horror – I haven’t read it, but the guy seems to know his stuff, and I'll probably get his book as a present for my wife, who's the horror-fiend in the family. Not being a particularly huge horror fan myself, I haven’t pondered much the notion that it might be broken as a genre. But here’s how Zinoman sees it:
Jason Zinoman had an interesting four-part series on Slate last week entitled “How to Fix Horror.” He’s the author of a new book, Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood and Invented Modern Horror – I haven’t read it, but the guy seems to know his stuff, and I'll probably get his book as a present for my wife, who's the horror-fiend in the family. Not being a particularly huge horror fan myself, I haven’t pondered much the notion that it might be broken as a genre. But here’s how Zinoman sees it:
Today the genre is bigger, more diverse, and more lucrative than it was back [during the ‘60s and ‘70s], but its films rarely shock or inspire as they once did. There are many good new scary movies, but few great ones.
Zinoman’s proposed “fixes” certainly got me thinking, but a couple of them also confused me. I think it’s fair to say that he generally seems to favor a particular kind of no-nonsense horror movie. (His first piece of advice is: “Stop trying to be so damn respectable!” The second: “Kill the back story.” The third: “Don’t be afraid of remakes.” The fourth: “Gore is good.”) He believes that the genre has been “infected” by “a creeping – and not-at-all creepy – pretentiousness.” And he feels that horror is “more at home being impolite and gross and borderline unethical.”
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