Showing posts with label jack clayton. Show all posts
Showing posts with label jack clayton. Show all posts

Monday, December 5, 2011

Forgotten Films: Our Mother's House (Jack Clayton, 1967)



Years ago, when I was writing (and later editing) Nerve.com’s now-defunct film blog The Screengrab, I introduced a regular feature that proved to be quite popular, focusing on films that were, for one reason or another, forgotten – that is to say, unseen, under-discussed, under-appreciated. Happily, some of the films I featured in the series have since become significantly more appreciated. I did a huge piece on Alex Cox’s Walker in mid-2006, and even Cox himself seemed surprised at the time that there were people out there who remembered his film and considered it a masterpiece; now, the film is available in a lovely Criterion edition, go figure.

Screengrab is long gone; not even its leaf-strewn sarcophagus appears to be cached anymore. So I hope the Nerve folks won’t mind if I reinstate that feature here and, to kick things off, revisit one of the forgotten films I felt most strongly about, Jack Clayton’s masterpiece, Our Mother’s House, since it is among my absolute favorite films of all time and is still very, very hard to find. (Ahem, Criterion…or, really, anybody.) So here goes nothing.

Saturday, November 20, 2010

It's Gonna Be Hard for Me to Keep My Mouth Shut About This Great Gatsby Adaptation


I’m finding it hard to not chime in on this whole Gatsby thing. As you’ve no doubt heard by now, Baz Luhrmann is planning a Great Gatsby adaptation with Leonard DiCaprio as Jay Gatsby and (probably) Carey Mulligan as Daisy Buchanan. And I guess Tobey Maguire as Nick Carraway, though I’m sure it’ll all change before cameras start rolling late next year or whenever the hell they finally do, if they do. Others have chimed in about how Gatsby adaptations never work properly -- everybody has their own reason why. I am about to share with you mine, but before I do that, I guess I should stick up a bit for the one party in this entire affair who always gets beaten up in these stories: Jack Clayton’s 1974 adaptation of The Great Gatsby, starring Robert Redford as Gatsby, Mia Farrow as Daisy, and Sam Waterston as Nick, scripted by Francis Ford Coppola and produced by Robert Evans, utilizing the full faith and credit of Paramount Pictures at its dizzying 1970s height. (The original Daisy was going to be Evans’s wife Ali MacGraw, who had recently become a huge star thanks to Love Story; then she made a getaway [har har] with Steve McQueen and, naturally, lost the part.)