Spielberg and Horror

A conversation about Poltergeist today reminded me of something I’d been meaning to post about for a while. A couple of months ago I went through a Steven Spielberg binge – partly for this essay on his development as a political filmmaker, partly because, hey, Spielberg. But as I went back over his earlier work, it struck me just how much Spielberg’s filmmaking language owes to horror. Obviously, several of his earliest films – Duel, Something Evil, Jaws – actually are horror films. But I’m intrigued by how many of his other films rely on horror tropes.

"I Can Bring Everyone Back…”: Spielberg's Fantasies of Reversal

So apparently there’s a Spielberg Blogathon going on, starting today. I just found out about it, and wasn’t planning on writing anything, but then it occurred to me to discuss something I’ve always found intriguing about Spielberg’s films. Plus, it gets me to discuss what is one of the guy’s most underrated films, Empire of the Sun. Specifically, this above scene near the end, in which young Jim (young Christian Bale) finally loses it and begins to think that he can bring his dead Japanese kamikaze friend back to life. As he pumps away at the dead boy’s chest, Jim intones, “I can bring everyone back…everyone…”