8 Great Reluctant Patriots on Film

The movies -- at least the good ones -- aren't usually able to do outright, rah-rah patriotism all too well. Maybe it's the fact that movies require conflict, or that they need to have characters who grow, but rarely do great film heroes start off as eager beavers looking to sign up for a cause. Thus we come to the archetype of the reluctant patriot: The guy who really doesn't want to fight on either side, who's just looking out for Number One, and yet finds himself having to fight -- or at least to pick sides -- just the same. And this, it turns out, is a type American cinema, particularly Hollywood, does really well. In honor of Independence Day, here are eight of cinema's most notable reluctant patriots.

Sarris

Plenty of better, smarter writers than I will have enough to say about the legacy of the now-late Andrew Sarris. (Here are Andrew O’Hehir at Salon and David Edelstein at Vulture, and David Poland at Movie City News. And Peter Labuza over at his blog, with a lovely anecdote. Oh, and the Times obit is pretty good, too.) For my part, I can note that, for all the times I’ve (literally) thrown The American Cinema across the room in frustration, I‘ve always picked it back up to check and see what Sarris had to say about the next filmmaker. (“John Sturges as ‘Strained Seriousness’? Screw this guy! Okay, what does he have to say about Robert Mulligan?”) Others have noted his erudition and generosity as a writer, as well as his willingness to change his mind. O’Hehir’s piece mentions Sarris’s famous change of heart on 2001: A Space Odyssey.*